Two Hour Jiffy-Mix!

Adams Company DanceOn June 26th, in our good ol’ standby theater, Triskelion Arts in Brooklyn, four tried and true dancers joined me in creating material for our new film, based on one of my old dance pieces, “Crooked Dreams.”  Three of the four dancers were chosen from my Master Class earlier in June, so my excitement for new energy was palpable! I was impressed by the talent and sheer risk taking that they did, tossing their bodies into space, and trusting me with odd and unusual choreography. Brave young women —  and without questioning! On deck was my general manager and husband, Don Adams, who kept me in line and made everyone feel very relaxed — he’s an invaluable player in everything I do, and I wouldn’t be here without him!

With my lighting guy, David Glista, at the helm of the light board, and my videographer, Faith Marek, raring to go, I made stuff up in a jiffy, and flew by the seat of my pants, in my inimitable style. With just a few quick notes for them on each scene I created, mood, tone, etc… we forged ahead right up until the next group was busting through the doors, impatient for their rental. Typical NYC dancers who can’t wait respectfully, and barge right in!! Okay, well, we might’ve gone over by 1 minute, but I thought I got the shots I needed, so we hastily grabbed our gear, traipsing out with dance clothes and bags dragging on the floor — reconvening in the lobby, where we wiped the sweat off our brows, and had a few sighs and laughs about our dramatic exit!

Heidi Sutherland had a subsequent rehearsal with me a few days ago, where I taught her sequences that will be woven into the mix of the film. What will this be, I ask myself? I really can’t say until I am in the editing room, and the stuff of my Jiffy-Mix comes to life, giving me fresh ideas as to how it all might be part of my Crooked Dreams! 

Check out some of the photos from our day here!

Group Shot

Dancers featured on June 26th Left to Right: Tailys Poncione,  Misaki Hayama, Evita Zacharioglou, Brandy White

Post shot me with dancers

Going Solo: A Magical Night!

 

The evening of May 4th was a magical night! The concert, Going Solo, went off without a hitch. I rarely say that a production went spectacularly, but in fact, it did! Six dancers came together after a whirlwind rehearsal experience, and knocked my socks off! Triskelion Arts in Brooklyn was lit up with high voltage dancing that Saturday, with an audience that enthusiastically supported the event.

The process of rehearsing with so many fits and starts, including two dancers dropping out due to injury and over-commitments, left me scrambling in a search and rescue mission last minute. It seemed the month of April was astrologically challenging us all, but through all the trials, and my dense schedule, the light finally was shed on our event — the special solos, both on film and live, came to life in magical ways.  Each and every dancer had their stroke of genius on stage and screen, and whatever sorcery I was doing by pulling all the strings, helped me to unravel some karmic thread, no doubt, as for once, I could say, “it all went to plan.” Thank you, dancers!! 

 

Dancers featured top row: Heidi Sutherland, Christopher Taylor, Joshua Tuason
Dancers featured bottom row: Abby Marchesseault, Julie Firoenza, Evita Zarcharioglou

Check out more photos from the show here!

 

Knee Deep in 2018

 

2018 has been a year of feeling knee deep in the funk of our current political climate. Just when you thought nothing could get any worse, another story would unfold, making yet another stain in the fabric of our society. Out of this chaos always comes an artful depiction from artists all over the globe. February was when I felt the urge to go to my small corner of the universe, and create a piece for dancer, Heidi Sutherland. The solo we created, It’s Easy To Drown, was created and taped in Brooklyn at Triskelion Arts, then went on to be performed at the Ailey Citigroup Theater in KoDaFe in June. Heidi soared in her performance reaching new heights with her incredible technique and talent. See more of Heidi here.

Putting one foot in front of the other, I imagined how I might allow for a catharsis of the angst I was feeling about the Trump Administration. The collective sludge that started a mud slide of turmoil was gradually pushing me toward making a short film. My ideas came together in an array of scenes crafted for four dancers on a oven-hot day in July, back again at Triskelion Arts. Lights, camera, action and with no time to polish, the footage we got that day went in the can, as the guts to my new film entitled, “Something Fake.”  With fits and starts to schedules and then my editor moving, the process of editing was as slow as molasses. Being a Jiffy Mix choreographer, it took all the patience I could muster to work on this project only here and there; however, I’m happy to announce that the premiere will be very soon!

My catharsis continued into late summer when I created a site specific work at the Halibut State Park in Rockport, MA. This time, my dancer-self came out to play, as serendipity met nature in three hours of improvisation, in the most beautiful place in New England. Footage from this day is on the back-burner, but the cooling effect of finding my peace is seen in these stills.

Fall went a little weirder and far from nature as I went into the studio again, making a piece that should’ve been premiered on Halloween, but ended up making its debut in November —  again back in Brooklyn at Triskelion Arts. That theater has my footprints all over it, and I’m grateful for the tab not being too steep. Somewhere amidst the #MeToo Movement and the tumult of our times, came a dance trilogy hinting at a darker shade of pale. Coaching the dancers to find their own meaning within the work paid off, as each of them told their own inner story. In fact, I titled the piece, “Short Story.” It begins with a duet, goes into a solo, then ends with a trio– all of which were performed with fierce commitment to the movement.  They sweat through several rehearsals before knowing what it all meant, but in the long-run, it’s up for interpretation — the ending, however, leaves no doubt about man’s evil spirit.

Short Story
Short Story

So, as the political scene continues to shred all sense of balance, and 2018 comes to a close,  I find my strength in dance and the dancers that makes it all happen. It’s in their fluidity, their power, and their artistry that allows me to go knee deep into the magic of dance — and at least for the moment, helps me to rise above it all!

Post Archival Rehearsal Shot With Videographer, Joel Stephen
Post Archival Rehearsal Shot With Videographer, Joel Stephen
Wade Watson, Evita Zacharioglou, Heidi Sutherland
Wade Watson, Evita Zacharioglou, Heidi Sutherland

 

 

 

Short Story from Mitzi Adams on Vimeo.

ACD Archival Taping at Triskelion Arts Brooklyn

 

Adams Company Dance will premiere a new work, “Short Story” at Triskelion Arts in Greenpoint, Brooklyn tomorrow. Our videographer, Joel Stephen, will be on deck with two cameras going to capture the dancers while they dive deep into the material. The piece is a trilogy inspired not only by the #MeToo Movement, but also the massive disintegration we are witnessing on our world stage now. The three sections, a duet, solo, and trio, describe the burdens and hardships that we are undergoing in our society, but touch on the resolve we can find if we lean on each other for comfort and healing. Ultimately, the sinister nature of man is revealed at the end — a familiar feeling with where we are right now with our current administration. Please visit our photo album of “The Making of Short Story.”

Our dancers: Heidi Sutherland, Wade Watson, and Evita Zacharioglou.

If you’d like to attend, please call Don Adams, Managing Producer: 203-829-4767.

Stay tuned for future performances of this piece!