Glancing Back on 2021

Honkin’ Red High Heels
Black and Bluish
Bits and Pieces

2021 was a bumpy ride, to say the least. A wave of freedom to move about, was met with another wave of isolation. A collective sigh of relief, was met only by coughing through COVID all over again. It was a miracle to say the least, to have been able to work creatively this past year. With the start of the year premiering Honkin’ Red High Heels, a film we made remotely in its entirety, to working in person with my dancers and videographer this past summer, I felt the duality of life during this pandemic. Working on our new duet, Black and Bluish, was thrilling for me in part, as we were in a theater — not on ZOOM!! Meeting up with live dancers on a stage, with lighting, a tech person, a videographer, and a line manager, was refreshing to say the least. Dancers, Christopher Taylor and Selah Piett, (a new dancer brought in last minute after news of another dancer becoming injured), were quick to adapt and pull my crazy ideas together for their premiere. A newly found editor, Tareek Jones, was also an inspiring in-person work situation — what a treat at that point in time! We worked throughout the Fall in our own little Oz, pulling levers behind the curtain. Our new film short, Bits and Pieces, had its premiere, as well. Dancer, Annie Heinemann, was with me for an all day shoot, which ended up being a prophetic piece of storytelling.

Altogether, I consider myself lucky to have been able to work in these capacities, considering the many obstacles against me. I know I’m not alone when I say that. Any artist who accomplished producing anything at all, is to be congratulated! Now, with our current lockdown of theater, and cancellations of artistic productions galore, I am truly humbled to press PLAY, and look back at the ebb and flow of this past year! It’s been a bumpy ride — that’s for sure!

May this be a time to take stock in what we have, and pay homage to those known to us and unknown to us, who have lost their lives. May their memories live on in our hearts and minds forever, and may 2022 bring peace, and inspiration to us all! Thank you for your support of Adams Company Dance, as we move forward with hope for a healthy, and rewarding New Year!

Dancers featured in our 2021 projects: Annie Heinemann; Abby Marchesseault; Selah Piett; Christopher Taylor, and Evita Zacharioglou

Premiering Bits & Pieces

On August 26th, I set out to make a short film, Bits and Pieces, with my dancer Annie Heinemann. I missed the memo on what the film was going to be about, but relied on my inimitable “Jiffy-Mix” style to arrange the day by going from different site specific locations, where I basically shot from the hip. Our footage went into the can where it sat until I could find a new in-person editor. After I accomplished that, I went to work and created the trailer. Things were moving along, and then my life was put on pause after I learned the news of my sister’s suicide. Moving through the scenes after I started things up again, I was struck by the nature of the clips I saved. As an aside, I typically write poems about all my works, and so I thought I’d share the poem below which was written before I knew about my sister’s passing. Needless to say, this was a prophetic unfolding, and it’s my honor to dedicate this short film to her.

Bits and Pieces

October 3rd, 2021

Bits and pieces of a broken life… shades of memories, traumas, and old rusted cars that had driven too many miles…

A death, a gathering, cards and flowers — all part of a fine, nicely decorated package of a life, no longer breathing…

We cry, celebrate, crumble and sink into the long days of loneliness and grief that engulf each day, like a gull, swooning in on a clam shell, breaking its outer coating, and watching as the gooey insides seep out into the sand…

The meaningless chats with well-meaning friends turn the calendar pages, one month after the next — a dry, run-down sort of relationship, reminiscent of a stiff mannequin in a dusty storefront, where the same clothes have been on display for years…

The tiny hands and feet of a life that could’ve brought smiles and cheers on soccer fields, and birthdays filled with balloons and bows of brightly colored joy — lost to the ages along with all the others — middle aged, old and greying, and some just graduating…

Too many souls now mingling together in the cosmic sea of recycled energy — enjoying a laugh, a hug, and sharing bits and pieces on their lessons learned.

~MJA

Annie Heinemann in Bits and Pieces

Check out our photo album from the day!

Feeling a Little Blue

How did it happen that my new film, Bits & Pieces, would morph into being about my sister’s passing? The trailer (below) was surely prophetic. I had many dreams, and my unconscious mind was apparently preparing me for the worst. The day of the film shoot on August 26th, we began in a cemetery. Part of me thought, really? It’s such a hackneyed venue to use in films. I loosely was thinking of a close friend of Annie’s, (my dancer), who had experienced a recent loss. It was topical, but really not my main thrust for the film, but then again, I didn’t know that day what exactly the film would be about. Now, tuning into the depths of my soul, I honor the blue, the raw, and the spiritual knowing, that my sister is in a better place, and that this film will be dedicated to her memory. As the editing process was placed on hold after learning the news of her suicide on October 14th, it’s been a process getting back to it, with so many factors preventing its completion. After my sister’s funeral, on her birthday, October 17th, the deep, blue tones I created for one of the film sequences began to swirl in my mind. The color merged with my emotions — needless to say… I’m feeling blue.

Stay tuned for our short film coming soon!

Summer Film

August 26th was a very hot day in Greenwich, CT. A day that most people stayed inside with the AC cranked on HIGH! I, on the other hand, was outside all day with my veteran dancer, Annie Heinemann, shooting footage for our next film short. Along with multiple costume changes, were multiple site-specific locations — each where creative ideas poured out, as the camera merely caught the action. It felt like a grab-and-go filmmaking day. A variety pack of sorts, that started with a tapestry of footage from a cemetery; moving on to a beautifully landscaped park, with an arched bridge over a babbling brook; and then, on to grounds of Greenwich Academy, where a raw dock jutted out into a pond with a vigorous fountain; and culminated with indoor shots grabbed in the darkness of a bathroom of the lower school.

Little story boarding was going on to connect all the dots, but Annie was ready, willing, and able to pull off everything as spontaneously as I. She’s equipped with technique, style, and panache, allowing my job to be easy! With so much footage in the can, I now have the task of rummaging through all of it to create a film that I hope will dive deep into the psyche of that hot, summer day!

Farewell 2020!!!

During a year jammed-packed with so many news items it made our heads spin, not the least of which was a worldwide pandemic, it’s easier to say what we didn’t do than what we did. The dark, gloomy feelings that permeated the minds of millions of people were contagious, devouring our hearts of that sweet, uplifting feeling that seemed in a distant past. Deflecting into my artist-side became a great comfort. Considering the obstacles stacked against me, I managed to swim to the surface here and there and breathe some life into some projects.

Typically when I make new work, I write a poem or at least a statement that sums up the themes. If given the opportunity to make a new piece about 2020, the poem might go something like this:

Our Lady of Perpetual Sorrow…
We have so many tears we need not borrow…
Our collective grief will be here tomorrow…
and the next day…
and the day after that…

And so it goes, I did go on to write out longer prose, spitting out the spoiled, rotten pieces of 2020 — in the middle of the night, no less. Straight out of the gate in March, some of this fodder from my writings spilled out into the editing of my film short, Sidelined. So many fits and starts in editing this delayed the premiere til July, even though we shot the project on a cold day in February — long before we knew what was about to hit us. Read on about the behind-the-scenes of this prophetic piece here.

A Scene from Sidelined

In the meantime, between editing, I dusted off some pieces from the archives and shared them throughout the year. Dressing up pieces from ACD’s past with social media posts, was a practice I fondly grew to like. One of the highlights, was replaying our Going Solo concert, and gathering the dancers back together for a Zoom-moderated interview about their process. My editor, Faith Marek, was on board with me on this, weaving together photo images of their solos prior to the screening. Re-purposing a whole concert was really exciting to me and the dancers, as so many folks couldn’t get to Brooklyn back in May of 2019. Check out the experience and replay here.

As October rolled around, I finally had my first Zoom rehearsals with my dancers to create Honkin’ Red High Heels. It seemed disastrous to me to be in my dingy, junk-filled basement without the luxury of a sprawling dance studio, but I was learning to adjust and lower the barre (lol!) for myself. The dancers got me, fortunately, and provided playback that proved to me that they interpreted correctly — shocking, as I thought the visual I demonstrated was more on the page of “Our Lady of Perpetual Sorrow!” Déjà vu… I was again involved in a couple months of remote editing, but this time with my editor, Joel Stephen — an ACD team editor who helped elevate this project to levels unexpected. I massaged every snippet of footage the dancers sent me on their iPhones til I got what I wanted. Though Zoom and many phone calls, Joel listened and pulled levers to make my imagination come to life! This all-remote film short was a labor of love, and if you can look symbolically into the brain of this work, you’ll see why I said it eerily presses on the nerve of 2020 — shoes burning in a fireplace at the end — need I say more!! Check out the blog on our premiere on this and look for public viewing coming soon.

Honkin’ Red High Heels Image with Annie Heinemann
Melding images of Abby Marchessault & Evita Zacharioglou in Honkin’ Red High Heels
Images in the Stream from Honkin’ Red High Heels

As I wrap up this year, and reflect back on all of its ingredients, I will proclaim that there were many silver linings amidst the muck of it all. I could linger in “Our Lady of Sorrow… “, I guess, but I think it’s best left to say that my survival strategy got me to the finish line!

Enough Already 2020!!

Thanks to all of the dancers who contributed artistically, without whom none of this would’ve been possible!

 

Honkin’ Red High Heels to Premiere on New Year’s Eve!

Honkin’ Red High Heels




Thanks for attending our premiere! This event is now over. Please check back soon for the public availability of this film, Honkin’ Red High Heels!

This is NOT a commentary on Hans Christian Anderson’s fairy tale, “The Red Shoes,” but yet, I am combining red shoes with dance in an entirely different way to premiere, Honkin’ Red High Heels! On New Year’s Eve at 9pm, be prepared for about 16-minutes of a bizarre new film short from Adams Company Dance made remotely in its entirety during the 2020 pandemic. My editor extraordinaire, Joel Stephen, happily took on the project with me.

Featuring three beautiful dancers working out of their home settings, while donning their flashy red high heels, either on or off their feet — this film has something for everyone! Experience their outdoor environments melding into their rooms, and their red shoes appearing like a Cheshire Cat on a hidden branch. Tricks will be played on their soles, as their consciousness drowns in the waters of the unknown. Diving deep into the psyches of these three, bold, woman… you’ll witness the raw layers of themselves unravel in this Alice in Wonderland-like experimental film short. With music from hard-driving drum beats layered with lazy saxophone riffs, to warm piano ballads, and sad violin lines — this musical medley ends with a droning electric guitar that brings all the emotions to the surface — eerily pressing on a 2020 nerve!

Performer: Annie Heinemann
Performer: Abby Marchessault
Performer: Evita Zacharioglou
Editor: Joel Stephen

Joel Stephen has been on the editing team of Adams Company Dance both on camera and in the editing room. His tireless efforts working with my zany brain, have paved the way for many projects, culminating in this last passion project, Honkin’ Red High Heels. During this pandemic, we never saw one another except on Zoom. After first sifting through hours of iPhone footage sent from the dancers’ Zoom rehearsals with me, and later sending the core files to Joel, we assembled the pieces of this weird jigsaw puzzle over a period of approximately two months. Thanks to his technical prowess and creative input, this film would not have been possible.

Check out more photos from our Honkin’ Red High Heels album here!

Screening “Behind the Lens: Adams Company Dance” Online Tonight!

Check out our screening of Behind the Lens: Adams Company Dance TONIGHT! The link goes LIVE at 8P ! Watch RIGHT HERE on this site!

Thank you for visiting! Our LIVE event is now over.

From the Baryshnikov Arts Center to the shores of Silver Sands State Park in CT and everywhere in between, Mitzi Adams, Artistic Director of Adams Company Dance, along with filmmakers/collaborators Amelia Golden, Benjamin Moss, Joel Stephen, and Faith Marek, weave dancers into their unique settings to create this compendium of 13 film shorts that are whimsical, visually stunning, and emotionally stirring. Adams Company Dance, now in its 29th year, shares a unique look into the ways in which dance connects with the human experience. All films were shot within a 3-hour time frame more or less, and later edited into a theme — what Adams’ coins her “Jiffy-Mix” style. This film has been screened in NYC twice at Producers Club Theater; the Bryant Park Hotel Theater moderated by dance critic, Debra Levine; and last Fall in Greenwich, CT at the Bowtie Criterion Cinema. With four new films in the line-up, including their latest short film, “Sidelined,” made over the 2020 quarantine, this night will have something for everyone!

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A scene from Crooked Dreams
Mitzi and dancers post screening at The Bryant Park Hotel 2016
2019 Screening at the Bowtie Criterion Cinema
Program Order

Sidelined (2020) 
This film, based on footage shot prior to the pandemic, twisted itself into new meaning as the Corona Virus surfaced, and serendipitous themes emerged in the editing process. Stemming from a three-hour “Jiffy-Mix” rehearsal taped in February 2020, and loosely based on the subject of the lack of spirituality in our society today, dancers depict feelings of isolation and separation in this transcendent work that unfolded as a gift.

A Piece of Shelter (2011)
This film, shot at The Secret Theater in Queens, NY, during the rehearsal and live performance of a dance entitled "Shelter," depicts the search for beauty beneath the rough exterior of life.

Sea Chapter (2014)
Against the backdrop of Mother Sea, this film reveals a man's soulful journey in learning to lean on his instincts and intuition, in order to release the old and embrace the new. (Based on the piece “Flight”)

Woodland Aire (2013)
Based upon works created to the music of Maria Schneider’s “Winter Morning Walks,” dancers mesh with nature in this spry piece filmed during a one-day residency at the Dragon's Egg in Ledyard, CT.

Hush Little Child (2015)
From the frozen, snow packed ground to the fragrant, flowering orchids, this film depicts a woman looking back at her life, as if through the lens of a dream. 

Let’s Face It (2010)
A techo-media film, based on the concepts of the loss of spirituality and literature in our society, due to the interference of our technological age (Based on a one-evening dance/theater event).

Jeu d’Esprit (2012)
With only a hat and a few costume pieces, this work offers the viewer a passport abroad, in this high-stepping ‘French flavored’ solo. (Based on the piece “Avec Moi”)

About Face (2011)
Based on the dance event “Let’s Face It,” this film takes a look at the fine gap between the ego and the mirror. 

Ebb & Flow (2017)
Based on the process of a “Jiffy Mix” rehearsal of the dance “Dream Spell,” filmmaker, Joel Stephen, weaves his colorful footage from a few short hours to reveal the inner workings and mysteries of a magical dance experience.

A Dress In The Stream (2013)
Based upon conversations with artists who struggle with their art, this film depicts a young woman who watches her dreams float away, yet finds resolve in the beauty of nature, with nothing to expect other than the rippling, calm of water in the estuary of life.

Something Fake (2018)
Filled with symbolism, this short, theatrical dance film captures the director’s inner monologue on the current administration’s inane treatment of facts and manufacturing of falsehoods.

Playing House (2013)
A young woman steps into a raw space, dreaming of future possibilities, full of promise and hope. (Based on the piece “Dust Devil”)

Crooked Dreams (2019)
A journey through the unconscious mind brings fragments from disjointed dreams. The dreamer strolls through the scenes, as the veils of mystery unfold, with colorful characters accompanying her along the way.

* * *

A NOTE FROM THE DIRECTOR: 
I was inspired to start making short dance films, when I faced the crippling realization of the economic effects of producing live dance concerts. In a real hurry to get "in and out" of the studio and to keep my costs under control, I developed a method of working, in short time periods, which I eventually coined "Jiffy Mix Dances"... just add water and stir! With the pressure of time constraint, I put myself to the test to compress my artistic experience, while still striving to maintain a human element. A deep level of trust in my dancers keep me stirring all the ingredients without all the fuss and muss! Though concert dance continues to enrich my choreographic spirit, with all its trim and finesse, it’s the stuff of the “Jiffy Mix” process that excites my “grab-and-go” side and keeps me on my toes!

* * * 

Directed and produced by Mitzi Adams, 
Artistic Director, Adams Company Dance
All choreography by Mitzi Adams
Adams Company Dance is a member, in good standing, of ASCAP.

You can also find this event on FB by clicking this link!

RT: 1:25m
Kid Friendly

NOTICE: This film is for research and scholarly purposes only. This film is not designed or intended for monetary gain, nor does the producer or the company receive private compensation for the film. Distribution of this film is strictly prohibited. Adams Company Dance, is a member in good standing with ASCAP.

Going Solo Concert Replay! 9/26 at 8p going LIVE TONIGHT!

Watch our REPLAY of our Going Solo Concert TONIGHT, 9/26here on this site, where the link will go LIVE at 8p!

Six talented dancers performed their solos on the eve of May 4th, 2019 at the Triskelion Arts Center in Brooklyn, NY. Read about that magical night here in my blog! Tonight you will get to see a REPLAY of that night, along with LIVE interviews with the dancers, where they described the process of their individual pieces.

The dancers performing are:

Julie Firoenza
Abby Marchesseault
Heidi Sutherland
Christopher Taylor
Joshua Tuason
Evita Zacharioglou

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Concert Order:

1) Flight (2014): Christopher Taylor

2) Mother’s Day (1998): Julie Firoenza

3) Dust Devil (2013): Abby Marchesseault

4) Going Solo (Premiere): Heidi Sutherland

5) My Room (2010): Julie Firoenza

6) Small Voice (2004): Evita Zacharioglou

7) It’s Easy To Drown (2018): Heidi Sutherland

8) Lost & Found (1999): Joshua Tuason

(This replay tonight is solely the performances, and not the films which were featured in the live concert.)

Videography/Editing: Faith Marek

Julie Fiorenza in Mother’s Day
Julie Fiorenza in My Room
Abby Marchesseault in Dust Devil
Heidi Sutherland in It’s Easy To Drown
Heidi Sutherland in Going Solo
Joshua Tuason in Lost & Found
Evita Zacharioglou in Small Voice

GOING SOLO PIECE DESCRIPTIONS:

FLIGHT: Performed by Christopher Taylor

Exploring the emotional depths of the willingness to survive no matter the odds, this rare solo touches the heart with beauty and grace. The film Sea Chapter is based on this solo.

MOTHER’S DAY: Performed by Julie Fiorenza

This dramatic solo explores dreams that the choreographer and her mother had  before her mother’s death. Set to an original text, combined with a haunting  music collage, this solo forms a partnership to arouse imagination about the  mother/child relationship.

DUST DEVIL: Performed by Abby Marchesseault

This thematic solo was choreographed to enliven the spirit of a poem. The  athletically danced, theater-style piece, reminisces about life on the plains, with  the swirling, little tornadoes that the poet recalls in the beanfields of the  Midwest. (Music granted by Maria Schneider).

GOING SOLO: Performed by Heidi Sutherland

This solo digs into depths of expression, creating a terrain of movement exemplifying the unsteady nature of life, yet allowing for the ground to provide a place for sanctuary and hope.

MY ROOM: Performed by Julie Fiorenza

An opening slideshow with images from Korea, combine with a sensitive,  heartfelt dance about a young woman’s adoption. This tender solo, danced to  neo-classical piano music, interprets a story from the Far East.

SMALL VOICE: Performed by Evita Zacharioglou

This capricious solo portrays the loss of innocence from childhood, into the  complications of adulthood. From the fondness of hopscotch to the gestural  entanglements of emotion, this piece reads like a storybook of memories and makes a statement about the process of growing into responsibility.

IT’S EASY TO DROWN: Performed by Heidi Sutherland

This solo was inspired by the delicate nature of the human spirit and how easy it is to drown in life, yet resolves to achieve hope and strength to overcome.

LOST & FOUND: Performed by Joshua Tuason

This whimsical solo, with narration by the choreographer’s first dance teacher, Hedy Tower,   connects past and present in a tribute to healing and hope. Lifted from a desolate reality and shown a renewed passion for life, this piece contracts and expands,  depicting these rippling themes through jagged edges and graceful exuberance.  Imbued with the strength to overcome, this light-spirited, colorful dance pays  respect to the sentimental journey of the heart.

 

A NOTE FROM THE ARTISTIC DIRECTOR

“The stuff of solos” chronicles the messages from a lone voice that speaks through the pores of the soul. Its very essence is founded through the dancer that “puts it on,” like a new outfit that you buy at the store. Stepping into the skin of the solo awards the dancer the right to interpret his or her own meaning, loosely based on the original script. In rehearsals, I use pencil instead of pen to allow for the artists to erase what might have been, so they can etch their own branding into the storyline. Ultimately, it is through their letting go of all my notes when they finally go paperless. When I no longer see the choreography, but just see a beautiful dancer expressing themselves, I know I’ve done my job. I am honored to be in the company of such elite artists, who have chosen to dive deep into “the stuff of solos.”

~ Mitzi Adams

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(This film is for scholarly and research purposes only. This film is not designed or intended for monetary gain, nor does the producer or the company receive private compensation for the film. Distribution of this film is strictly prohibited.)

Thank you for joining us for our concert REPLAY! Look for us again in October for the RE-SCREENING of Behind the Lens: Adams Company Dance~


Watch our Premiere of “Sidelined,” Thursday 7/30 at 8p on Vimeo!


Join us at 8P for the premiere of our new film, “Sidelined,” on Vimeo. After four tedious months of remote editing, we’ve finally completed our film, “Sidelined.” Using raw footage shot on 2/5, long before we were sidelined, — this short film revolves around the themes of quarantine and the pandemic. It started out loosely based on the idea of the lack of spirituality in our society today, but unconsciously, there was something being channeled that cold, winter day. As the days and months unfolded into the crisis our world was facing, the film’s fate twisted into new meaning. Read our blog about the details of the film shoot day here. Take a sneak peek into some of the images of that day here.

Thursday, 7/30 at 7:50: Join Mitzi for a small chat about the process prior to the screening on FB live on Adams Company Dance’s FB page: https://www.facebook.com/adamscompanydance/live (and then go to Vimeo).

Our film will be LIVE at 8P: Go to: https://vimeo.com/440838786 and press PLAY — and by all means, let me know what you thought!

Running time: 12 minutes

Produced by: Mitzi Adams
Choreography: Mitzi Adams
Editor: Faith Marek
Creative Editor: Mitzi Adams
Dancers: Misaki Hayama, Heidi Sutherland, Abby Marchesseault, Yasmin Venable, Tsubasa Nishioka

The day was unconsciously channeled
A moment resembling “suffering”
In the widow’s walk of the mansion in Bridgeport
A moment resembling quarantine

Remotely in the Meantime

Faith Marek

This pandemic has us all needing to adjust and adapt to other ways of thinking and doing. If we can let go of our preconceived notions of normal, then we might just start to see life unfold in new and different ways, which could actually serve us. Resting, napping, cleaning clutter, and exercising have never felt so good. Folding laundry can be meditative if you can allow yourself to ponder the folds and textures of the fabrics. Same goes with editing remotely. I didn’t think I could do it with my editor, (Faith Marek), so well, but as it turns out — the slowed-down, nitty-gritty approach is making me focus more.

The film we shot in February came out of the can, finally! It’ll be laborious to work remotely, no doubt, but that requires more patience, and won’t that be a good lesson? Dancers have a built-in adaptation process. If they didn’t, they’d never survive the demands of the art, but adapting at home now, while no teacher or director is telling them what to do, will be the most challenging time for them. Self-discipline is the key to this make it through this time, and it is my wish for all dancers to keep taking class with great teachers out there remotely — at least in the meantime!

And, in the meantime, enjoy a few of these shots from our film shoot! Previews from coming attractions below:

L to R: Abby, Yasmin, Mitzi, Tsubasa, Misaki, Heidi
Post shoot at The Oysterman’s Pearl Studio